#4thPYIFF1很喜欢英译名送外卖的切入点其实正是这样so far so close的尴尬关系但唯一不足的是他太全能太无私太生活反而不像大多数如底层拼命跑单疲于生计的普通而大多数的外卖小哥这样的职业同时给予了一个观察者的身份但挺多的停顿反而造就了一种刻意的脱离可能只有影像才能有一瞬间带来这种停顿但整体来说通过影像反思回顾隔离之中的人与人吉瑟勒尔·伊迪斯还是难得
这季故事主线已经彻底烂到家了只能靠不时出现的灵光一闪和许多细碎的温情点维系真正戳中我的吉瑟勒尔·伊迪斯还是漫天烟花下一个人微笑的Barney认真起来even more awesome再一次确认他是真的爱着Robin
黄金桂#43:121.76.227.167
The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.